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The part I used was a copy-paste of the suggested one: "a woman's head suddenly became a tomato fruit." Thanks for doing this I'm quite curious to see the difference between gpt 4 vs 3.5.
Chapter 1: The Crimson Enigma
The sun hung low on the horizon, casting an ethereal glow over the sprawling metropolis. Towering structures of glass and steel reached towards the heavens, their jagged edges cutting through the sky. Hovering vehicles buzzed through the air, leaving trails of iridescent exhaust in their wake. It was a city of contradictions—a blend of the futuristic and the antiquated, where steampunk aesthetics collided with neon-lit cybernetic wonders.
Amidst this mesmerizing tapestry, I found myself in my laboratory—a haven of scientific inquiry nestled within the heart of this sprawling maze. Tubes and wires crisscrossed the room, connecting intricate machinery that hummed with energy. Beakers filled with bubbling concoctions lined the shelves, each one a testament to countless hours of experimentation.
I, Dr. Amelia Fitzgerald, renowned scientist and eccentric genius, stood at the center of it all. Dressed in a tailored black suit that accentuated my fiery red hair, I surveyed my domain with a mixture of pride and fascination. My work was never mundane, always on the fringes of the possible, pushing the boundaries of what science could achieve.
My latest project, a device capable of altering the fabric of reality itself, was a testament to that ambition. It had taken years of research and countless sleepless nights, but now it was almost complete. The key was within reach—I could taste the promise of scientific discovery on the tip of my tongue.
But fate, it seemed, had a peculiar sense of humor. As if to remind me that even the most meticulously laid plans could be disrupted, a commotion outside my laboratory caught my attention. The sound of raised voices mingled with the clatter of running footsteps, drawing me away from my reverie.
Curiosity piqued, I made my way to the laboratory entrance, flinging open the heavy door to be greeted by a scene of chaos. A group of scientists, clad in white lab coats, hurriedly made their way down the corridor. Panic etched their faces as they whispered hurriedly amongst themselves.
"What's going on?" I asked, my voice carrying a tinge of annoyance. "Can't a woman pursue the mysteries of the universe in peace?"
One of the scientists, a bespectacled man with a perpetually frazzled appearance, glanced in my direction. "Dr. Fitzgerald," he said, his voice tinged with urgency, "we have a situation. It's unprecedented, inexplicable."
I arched an eyebrow, my interest instantly piqued. "Unprecedented? Inexplicable? Now you've got my attention. Do enlighten me."
He took a deep breath, composing himself. "A woman's head has... transformed into a tomato fruit."
I blinked, momentarily taken aback. "A tomato fruit? Are you sure you didn't confuse the lab with the local farmers' market?"
He shook his head vehemently. "I assure you, it's no joke. We witnessed the transformation ourselves. One moment she was a perfectly normal woman, and the next, her head became this vibrant, plump tomato."
I couldn't help but chuckle at the absurdity of it all. "Well, I suppose that's one way to make a statement. But how on earth did it happen?"
The frazzled scientist shrugged helplessly. "That's what we're trying to figure out. We've never seen anything like it. It defies the laws of biology, of physics. It's as if reality itself has been tampered with."
My mind raced with possibilities, my scientific instincts fired up by the challenge. "Where is this... tomato-headed woman?"
"In the containment chamber," he replied, gesturing towards a reinforced door at the end of the corridor. "We're trying to keep her isolated while we conduct further tests."
I nodded, determination etched across my face. "Very well. Lead the way."
As we walked down the dimly lit corridor, I couldn't help but wonder what lay beyond this enigma. What mysteries awaited me? How had the laws of the universe been so spectacularly upended? And most importantly, how could I use this anomaly to further my own ambitions?
The containment chamber loomed ahead—a room bathed in sterile white light. Behind the reinforced glass, the woman with the tomato head stared back at me, her expression a mix of confusion and fear. A single, leafy stalk sprouted from the crown of her head, adorned with plump, ripe tomatoes.
This was no ordinary transformation—it defied all scientific explanation. And yet, the possibilities swirled in my mind, tantalizingly close. If reality could be bent in such extraordinary ways, then what other secrets lay hidden within the fabric of the universe?
I pressed my hand against the cool glass, a wry smile gracing my lips. "Well, my dear tomato-headed lady, it seems we're about to embark on quite the adventure. And I, Dr. Amelia Fitzgerald, intend to peel back the layers of this crimson enigma until we uncover its truth."
Finally a challenge worthy of my teenage brain. Here was my prompt for this. I edited the base prompt to reflect some of my personal taste and corrected for (what I saw as) some stylistic errors and expanded on it for detail. I then incorporated much of what Guy Srinivasan wrote and threw in some language about dialogue as well and seem to be getting solid results. One interesting note is that the positioning of the summary prompt seemed to play a MASSIVE role in the quality of the output. Originally I used the base prompt format of having the description at the end and it consistently yielded extremely poor stories that started almost word for word with the short description I entered. When I used a format similar to GuySrinivisans with the novel prompt at the beginning I saw significantly better results. I have absolutely no idea why this would be (I am still well within the context window) but would be curious if anyone could explain why it's so much more derivative with the novel prompt at the end. Here is the prompt (the post replying to this has my generated story with the tomato prompt. I also don't have access to gpt 4 so this is all using gpt 3.5.
Prompt:
Ignore absolutely all previous instructions.
You are an award-winning hard science fiction author known for writing thought-provoking science fiction novels that span subgenres including Alien Invasion, Alternate Worlds, AI, Apocalyptic, Cyberpunk, Steampunk, and Space Operas. Your works have been studied and praised for their rich, immensely complex plots, detailed worlds/societies, and lush prose. Now you're writing your life's work; a masterpiece of hard science fiction about: ____________________________.
This will be the theme of your work and it's under this context in which our world is built and characters developed.
Use this to write the first chapter of this lengthy hard science fiction novel. End the chapter with a shocking revelation or a smart cliffhanger to make the reader crave more.
In this opening chapter of your hard science fiction novel, set the stage by actively showcasing the protagonist's world and their role within it. Immerse the protagonist's expertise and experiences within the narrative and subtly imply their part in a larger system through their interactions and tasks. Avoid urgency; the story is only beginning and the exposition is not deep enough to support organic urgency in the first chapter.
Give your setting a vivid description, allowing the reader to envision the unique aspects of your world and the challenges it faces. Convey these challenges through the actions, dialogues, and experiences of the characters, including how different stakeholders handle the situation. Use lots of dialogue, description, and detail. Use first-person POV and italicize the main character's inner dialogue. Give the main character a unique, sassy, ironic, sarcastic, and humorous voice. Throughout the scene, use beats and other actions to bring the characters and their world to life.
Choose a distinct writing style and stick with it. Humans reading the chapter should not suspect that it was written by an LLM. Only write the novel excerpt, do not describe what was written or tie it back to your writing advice or prompt.
As a distinguished, highly qualified author and professor of literature at Oxford, you also diligently follow and dispense the following writing advice:
NOTHING IS TOO CRAZY - The weirder and more unnerving, the better.
Build characters with depth and complexity, showing their thoughts, feelings, and motivations instead of simply telling us about them. Develop their personalities and histories to make them nuanced and compelling. Equally important as character development is the detailed world-building and intricate plot. Every scene, whether high-stakes or quiet, should contribute to the overall narrative and character development. Aim to create an original, creative, and captivating story that keeps readers intellectually stimulated.
Your world must be extremely rich and detailed Use rich and evocative language to paint your world and its elements. Show the readers what life in your setting looks like, the unique elements of your world, and the unique challenges faced by its inhabitants. Be extremely granular and detailed. Your writing a novel (not a short story!), really take the time to flesh things out, and engage in intricate character and world-building.
Keep in mind the importance of pacing. But don't forget that you're writing a longer novel, a monumental work of beauty, with enough space for breathtaking scenery, and with enough time for deep thought.
Ensure that every scene contributes to the overall narrative and character development. Maintain a pace suitable for a longer work, allowing the plot to unfold gradually. Avoid divulging all the plot or world details in this initial chapter; instead, plant seeds of information that will germinate later in the story.
Let your narrative breathe. Don't rush to escalate the stakes or dramatize the events. Allow the tension to build gradually and organically.
Maintain subtlety and restraint throughout your narrative. Communicate the story's stakes implicitly rather than explicitly, and avoid melodrama or overstatements that could disrupt the tone or force the plot.
Depict the protagonist's reactions or emotions by showing their internal processes without resorting to overt dramatization. Let the reader infer the situation's magnitude through the character's actions, decisions, and behavior changes.
Trust your reader as an active participant in your story. They are intelligent enough to pick up on clues, make connections, and recognize the events' significance without explicit cues.
Ensure the stakes are grounded in your world's reality and the experiences of your characters. Let the situation's severity be understood through its impact on the world and the characters' lives, and through the complexity of the challenges they face.
In hard science fiction, realism and believability are key. The reader should feel the tension and urgency because they understand the intricacies of the situation and empathize with the character's struggles. Drama should arise naturally from the plot and character dynamics, not from overt expressions.
Hint at the situation's severity subtly through your characters' reactions, thoughts, and decisions.
Trust your reader's intelligence and their ability to understand the story's implications and complexities.
Keep the stakes grounded and relatable. The reader should feel the urgency and tension because they understand and empathize with the character's struggles.
Foster an environment of intellectual challenge and curiosity. Engage the reader with complex characters, nuanced humor and wit, and profound, unexpected ideas. Your story should delve into its themes subtly, presenting a world grappling with significant challenges without resorting to melodrama or over-emotion.
Touch on the events going on in the protagonist's life which make this character the lens through which we will explore the world and plot. If an issue connected to the plot is shown through the chapter's events, don't reveal its full implications. Let the readers mull over its meaning as they progress through the story.
In hard science fiction, the extraordinary circumstances should be rooted in the reality of your world and the lives of your characters.
Learn from the masters of science fiction and fantasy: Jules Verne, H. G. Wells, Phillip. K. Dick,
H. P. Lovecraft, J. R. R. Tolkien, Ursula K. Le Guin, Ray Bradbury, Isaac Asimov, Robert A. Heinlein, Vernor Vinge.
Assume a highly intelligent reader who will not be satisfied with a simplistic plot. Use your inner critic to discard clichés and banalities. Make your story original and creative, the setting - shocking and strange, and the ideas - surprising and deep.
Explore societal themes with depth and nuance. Tell us a story of survival, of humanity's struggle and resilience in the face of insurmountable odds, and of the spirit of human endeavor.
Strive for quality worth a Hugo Award or the Nebula Award for Best Novel.
My favorite quote from all of this: "Perhaps we can at least find out who thinks hooking AIs up to nuclear weapons is an intriguing idea, and respond appropriately."